Home - Resonance | Accords | Recréation du son de synthé

Recréer le synthé chords du morceau de 2014 appelé "Resonance" par Accueil est un défi stimulant pour tout passionné de synthétiseurs. Voici comment programmer le patch "Resonance" chords et jouer ce son iconique sur la plupart des synthétiseurs soustractifs matériels ou logiciels (Serum, Vital, Pigments, Prophet, Korg, Moog, etc.). Nous offrons le téléchargement du preset ci-dessous pour plus de commodité, mais nous vous recommandons vivement d’utiliser notre tutoriel de programmation afin de le recréer vous-même sur votre synthé favori.

Le son original

The warm, wobbling synthesizer in Home’s “Resonance” establishes the track’s nostalgic atmosphere from the opening notes, featuring a rich blend of saw and basic waveform oscillators with subtle frequency modulation between them. This synth dominates the chord progression from the song’s start (0:00), providing the foundational texture that defines its vaporwave identity.

Instrument utilisé dans le morceau d'origine

Inconnu

Notre recréation du patch ( Accords ) - démo audio

Cet extrait audio montre à quel point nous avons reproduit le timbre original du synthé chords du morceau "Resonance" par Accueil. Ca vous offre un point de référence pour recréer votre propre preset. Écoutez-le autant que nécessaire pour vous familiariser avec les différentes nuances du son.

La recette

Pour commencer

• Commencez par initialiser votre synthé sur une onde en dents de scie sans filtre, modulation ni effets.
• Aucun synthé n’est identique : considérez les valeurs comme approximatives et fiez-vous à votre oreille.
• Les valeurs en pourcentage (par exemple, 50%) représentent la position relative d'un bouton ou d'un curseur sur toute sa plage. La plage de chaque paramètre peut varier d'un synthétiseur à l'autre ; utilisez donc votre oreille.

• Oscillator: Saw Wave. Use Unison to make it washy and lush with 6 voices, kind of strong Detune, even Blend, and 0 Width
• Noise: White, low level so it’s just layered in. This helps create a vintage vibe, making it less clean. Make sure it’s routed into the filter.
• Filter: Lowpass with 18dB slope. Cutoff at 370 Hz and a bit of Res (these set us up to use an Envelope to make the wah character). Full Drive for saturated analog warmth, and a bit of Fat to make up for the low end taken away by Res. Reduce the level to make up for Drive’s volume boost
• Amp Envelope: About 6 ms of Attack to soften the transient just a bit. Sustain at 0, and both Decay and Release at 2 seconds so we have nice long notes.
• Voices: Poly, 4 voices. The chords are mostly 4 notes each, so this way each chord will cut off the notes of the previous chord so we don’t get layered and dissonant notes
• Filter Envelope: Route Env 2 to Filter Cutoff. Attack at 53 ms, Sustain at 0, and Decay and Release at 0.5 ms. Modest Amount (about 20). This will create a really tight wah. Too tight in fact, but that is because…
• Velocity: Route Velocity to Env 2 Decay and Release, and max out both of there amounts. Now, lightly pressed notes will give us a quick and closing wah, and hard-pressed notes will create a big bright sound, that still wahs up, but doesn’t wah back down (at least not for a long time). This is why the pad is sometimes bright, and sometimes closed. But no matter what, you still get that fat horn-ish attack since the attack time is always the same.
• Chaos: Route Chaos 1 (Sample & Hold LFO on any synth will have a similar effect) to Master Tune, and set a VERY small amount. I set the Amount slider in the Matrix to 1, and dial back the Output slider to 25. Just a mild out-of-tune sound that really starts to bring in the vintage vibe
• Note: Make sure the following effects are in the order of this list.
• Delay: Pretty heavy mix at 40%, pretty long Feedback so it echos for a while. Rate at 1/16th (bpm is 83). To make it Stereo, set the Right offset to 1.050. I love how the Velocity-controlled envelope interacts with the Delay. Light notes that have a tight closing wah, create a very audible echo, but the more open and washy notes generated by hard presses, cover up the echo a bit. So the Delay comes and goes depending on how hard you hit the keys
• Reverb: Plate. Medium-Small size (17%), No Pre-Delay so our sound really sits in the reverb. Fairly heavy mix at 34%. Default settings of a little High Cut, a little Damping, and a little Width are perfect.
• EQ: Set the first band to Peak, with Freq 2400 Hz, Sharp Q at 50%, and a big boost of Gain at 13 dB. Set the second band to LPF with Freq 5000 Hz and Q at 40%. This really brings home the vintage vibe, losing some high end and bringing out this sort-of radio-esque mid-highs
• Compressor: Squeeze it. Set Threshold to -30 dB, Gain to 4 dB.

Remarque : les réglages peuvent légèrement différer dans le challenge de Syntorial.

Notes et observations

Pad Notes (From bottom to top for each chord)

• C Eb F Ab (3 times)
• C Eb G
• C Eb G Bb
• Eb G Bb C (6 times)
• F Ab C Eb (3 times)
• Bb Db F Ab (2 times)
• Ab C Eb G (6 times)

Pour aller plus loin

• Home “Resonance” Breakdown | Synth Ctrl
• Recreating the main synth in Resonance Home using Xfer Serum (Youtube)
• How to Make Nostalgic Synthwave in VITAL // Sound Design Tutorial (Youtube)

Téléchargement des presets

Pas le temps d’apprendre la programmation de synthés ? Utilisez notre preset comme point de départ puis ajustez-le. Créez un compte Audible Genius et téléchargez gratuitement les presets pour les synthés suivants :

• Serum

Commentaires

Cette recette est issue d’une demande de recréation de preset par la communauté Syntorial. Besoin d’aide pour recréer ce son ? Des commentaires ?