[yetispaghetti]

Hi Joe, thanks so much for replying. As it just so happened I was flicking through some omnisphere presets soon after your reply and came upon one that sonically sounded very similar and after tweaking it a little got quite a close sound, to the point where I think it’s the actual preset used. It was two samples of synth paths, one detuned a little, and the LFO set to modulate the panning. At least one sample was reversed and the starting point set towards the end of the sample I think, giving the synth that tuning change at the end of each note that you can hear. Upping the resonance in the filters was what got me very close to the sound. Thanks for you help.

[yetispaghetti]

Thank you so much

[yetispaghetti]

I love you and whoever made that video

[yetispaghetti]

Joe Hanley wrote:

I like the vibe of this patch. Kind of rhodes-esque. Try this:

Oscillator: Saw

Filter: Low Pass 24 dB, with a little Drive, and Key Tracking enabled. Bring the Cutoff down until you get the desired roundness.

Amp Envelope: Create a piano shape by bringing the Sustain down and setting the Decay and Release to medium long, around 1.2 seconds.

Velocity: Route it to volume, and play the higher repeating note louder than the lower notes. Also, if your synth allows, route the velocity to the Amp Envelope attack as well. Set the Attack to around 120 ms, and then set the Velocity modulation amount to a negative value that brings the Attack down to zero. Now, the harder notes (higher velocity) will have a sharper attack transient, and softer notes will have a softer attack transient.

NOTE: if you can’t route velocity to amp attack, instead create a second copy of the patch for the lower notes, and set their amp attack to around 120 ms.

Thanks so much for the help I really appreciate it, got very close to the sound I wanted, again thanks a lot I’ve seen you help lots of other people with patch requests and just want to say it is greatly appreciated.