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July 13, 2020 at 4:31 am #36074
Trying to find a patch to match
@ 2 secs synth comes through
@ 14 secs bass comes in
@ 52 seconds there is a backing for the vocal
July 24, 2020 at 12:16 pm #36273I’m happy to help with one of these patches. If you had to choose one, which would it be?
July 24, 2020 at 7:12 pm #36279Hey Joe,
Thanks for all your help recently!
definitely the synth @2 seconds its the foundation for the track
August 5, 2020 at 10:37 am #36523Try this:
Oscillator 1: Saw. If your synth has a bowed-string-style wavetable, you can use that instead, and modulate the Wavetable Position with an LFO, to get a more string-like sound. But a Saw will get you close as well. 6-voice Unison with enough Detune to smear the sound without making its pitch wobble.
Oscillator 2: Same as Osc 1, but one octave lower, and much quieter.
Amp Envelope: To create a strong bowed-style shape, set a quick Attack around 35 ms, Sustain to halfway, very quick Decay around 10 ms, and a quick Release around 50 ms.
Distortion: Tube-style, fully cranked.
Filter: It’s important that this goes AFTER the Distortion. 24 dB Low Pass, a decent amount of Res, and bring the Cutoff down a little above halfway. You’re looking for a pretty rounded sound, but tweak until it sounds right.
Reverb: Medium size, very wet. Cut off some lows to reduce the mud.
August 7, 2020 at 12:17 pm #36584Here’s Joe on video recreating this patch:
August 8, 2020 at 9:05 am #36598No way you did this.
You are amazing!
I’m actually blown away.Thank you so much
August 10, 2020 at 3:17 am #36625Hello,
I luv this song. Cool remake video
Can u make the bass also?August 12, 2020 at 10:19 am #36659Hello,
I luv this song. Cool remake video
Can u make the bass also?
Try this:
Oscillator
- Waveform: Triangle
Amp Envelope
- Description: Quick swell in, and a quick swell out.
- Attack: 140 ms
- Release: 215 ms
Distortion
- Type: Tube-style
- Drive/Amount: A decent amount. Turn it up until the sound gets a little brighter and dirtier
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