• December 2, 2018 at 7:12 am #22173
    jackjohnstonjackjohnston
    Participant

    He shows some examples in this instagram video (link at the bottom) towards the end of these synth “rawrs” he made with Operator. I think he messed with the pitch envelope for sure, but also (possibly) automated the distortion. It sounds like the distortion increases as the attack increases in amplitude. He only uses Ableton stock plugins/effects & instruments.

    Instagram video: https://www.instagram.com/p/BamNu1AD3qh/

    He uses them in a lot of his beats, but here’s one example: https://youtu.be/W3tVvP_JyRc?t=146

    December 6, 2018 at 11:40 am #22264
    DislokmeDislokme
    Participant

    Cool

    Its ok

    December 6, 2018 at 11:15 pm #22276
    jackjohnstonjackjohnston
    Participant

    Oh wait, I think he made an fm one shot and then put it in Ableton’s Sampler and did further processing in there to get the rising stretching noise. In the Pitch/Osc, I think he messed with the pitch env and the oscillator section. I haven’t figured it out but I just thought of that and it honestly shouldn’t be that hard to do (like get the similar attack time and mess with the FM parameters).

    December 7, 2018 at 12:36 pm #22281
    joehanleyJoe Hanley
    Keymaster

    Made a video for this one. It seems like there’s many ways to do this. But you can get close with Operator and a couple effects.

    December 7, 2018 at 2:32 pm #22289
    jackjohnstonjackjohnston
    Participant

    Awesome, thank you!

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