• December 2, 2018 at 7:12 am #22173
    Jack Johnstonjackjohnston
    Participant

      He shows some examples in this instagram video (link at the bottom) towards the end of these synth “rawrs” he made with Operator. I think he messed with the pitch envelope for sure, but also (possibly) automated the distortion. It sounds like the distortion increases as the attack increases in amplitude. He only uses Ableton stock plugins/effects & instruments.

      Instagram video: https://www.instagram.com/p/BamNu1AD3qh/

      He uses them in a lot of his beats, but here’s one example: https://youtu.be/W3tVvP_JyRc?t=146

      December 6, 2018 at 11:40 am #22264
      Munkherdene MunkhtsetsegDislokme
      Participant

        Cool

        Its ok

        December 6, 2018 at 11:15 pm #22276
        Jack Johnstonjackjohnston
        Participant

          Oh wait, I think he made an fm one shot and then put it in Ableton’s Sampler and did further processing in there to get the rising stretching noise. In the Pitch/Osc, I think he messed with the pitch env and the oscillator section. I haven’t figured it out but I just thought of that and it honestly shouldn’t be that hard to do (like get the similar attack time and mess with the FM parameters).

          December 7, 2018 at 12:36 pm #22281
          Joe HanleyJoe Hanley
          Keymaster

            Made a video for this one. It seems like there’s many ways to do this. But you can get close with Operator and a couple effects.

            December 7, 2018 at 2:32 pm #22289
            Jack Johnstonjackjohnston
            Participant

              Awesome, thank you!

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